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CINEMATRIX - by LuckyWill

 
Cinematrix is movie goer central bringing everything from the Big Screen to your screen.

CINEMATRIX - September 2008

The Mummy 3
This should have been a great film based on the success of the last two and in parts it really tried but unfortunately for us, the franchise too closely resembles its product because this mummy just didn’t know when to stay dead.

Throughout the film, the action and effects were typically impressive; however, the dialogue was merely adequate; the plot seemed predictable; and some of the performances felt inhibited. I wouldn’t say there was one overriding problem with the film, just a comedy of errors that inexcusably killed it. For those cast members who were brave enough to return for this, the 3rd of the mummy films, it was business as usual and their performances were at least up to the standard set by the first films; Brendan Fraser as the indestructible “Ricochet” Rick O’Connell and his brother in law, the perpetual nervous wreck, Jonathan Carnahan (John Hannah). New to the team is Luke Ford playing Rick’s dashing young offspring, Alex O’Connell; Michelle Yeoh and Isabella Leong played the immortal mother daughter guardian team and, of course, the Dragon Emperor himself, Jet Li. Also brought in to fill the shoes of the departing Rachel Weisz, Rick’s know-it-all wife Evelyn O’Connell, is Maria Bello but I’ll deal with her later.


The film begins with the tale of the merciless Emperor Han, a dictator who rose to power through war to conquer China. The character is based on the historical figure, Emperor Qin, who conquered China to become its first emperor in 221BC. Over time he realised that to further his dominion and maintain the order of it would require more than a mortal lifetime to achieve and that he would need to overcome death itself and live forever to do so. Historical texts suggest that Qin attempted this by ingesting daily concoctions of poisons, metals and herbs, each believed to harden his body and perhaps give him immunity to death. As you would expect, this eventually killed him and he passed away peacefully. But that’s not really Hollywood is it? So to make things more exciting, the team of the Mummy 3 decided that Han’s death would be far more spectacular, spewing volcanic globules of clay all over himself until a heavenly fire bolt leaves him looking something like Han Solo frozen in a block of Carbonite. Hmm I wonder if that’s where he got his name.


So Han (the emperor, not Solo) is betrayed by a powerful sorceress who grants him his immortality but in the form of a curse, turning he and his army into a frozen collection of terracotta warriors. Again this is based on the real life of Emperor Qin who had a terracotta army built to serve him in the afterlife and each face was required to be different to match the actual faces of his men. Once more Hollywood took some creative licence interpreting the ‘afterlife’ as ‘whenever the Emperor happens to be re-animated by dark magic’. The curse is lifted when young Alex O’Connell, embracing the family business, discovers the tomb of the forgotten emperor and inadvertently places it into the hands of some very sinister people. Of course mum and dad are brought in to clean up his mess and they all embark on a journey through sandy deserts and icy mountain ranges chasing down the increasingly powerful emperor before he and his army can become truly invincible.

Towards the end of the film there is an enjoyable battle between a resurrected undead army and the glorified pottery collection at the base of the Great Wall of China which gives the talented Michelle Yeoh (Crouching Tiger Hidden Dragon) a chance to demonstrate her martial arts prowess in a showdown with Li. Being as good as they are, it would have been good to see some really fast paced combat between the two and a wider camera shot to really get a look at what’s going on. Instead director Rob Cohen, who takes over from Stephen Summers (Mummy 1 & 2), went with the cheaper alternative using close, quick camera shots that don’t really show anything. The best scene in the movie actually involves a gang of Yeti’s kicking some military ass and a hilarious field goal not to be missed…trust me.

Once again Jonathan falls for a disgusting beast only this time he has traded the spitting, single humped ship of the desert from the first film, for a vomiting, airsick yak of the Himalayas. His character is still just as fun but is hugely under used and the film could use more of his antics. Australian actor, Luke Ford, is well cast as the son of Brendan Fraser and the two not only look and act very similar but they are actually believable as father and son.

Maria Bello, a great actress in her own right, unfortunately ruined the film for me, though, in her defence, her performance was doomed from the start. Had she been cast as Rick’s new love interest or Evee’s sister or something, she would have been great; however, she has been brought in to replace an already well established actress, Rachel Weisz, as Evee herself. In The Mummy and The Mummy Returns, Weisz’s personality had been infused with her character and audiences have become familiar with it. Rachel Weisz, as Evelyn, was smart but bubbly and curious and looked like she had some hidden wild side. Maria Bello, as Evelyn, was a proper, uptight, well spoken woman who looked far more professional in what she did than Weisz. You can’t simply switch actresses and hope nobody notices.

They did it in Batman successfully, replacing Katie Holmes with Maggie Gyllenhaal as the character of Rachel Dawes but each actress only made one film before being replaced and even then it only worked because the other characters (i.e. the Joker) were so good that the imperfection wasn’t noticed as much. Every time I saw Maria in a scene it was almost distracting to watch her try and be the type of character that everyone had been expecting. She even says at the start of the film “I can assure you she is a completely different person.” It just doesn’t work.

The film was ok but I wouldn’t say it was anywhere near as good as the first mummy films. You can’t put Jet Li and Michelle Yeoh in a film together and not have some explosive battles though the creators did their best to accomplish that. If they relied less on recycling dialogue from the first films and added a bit more mystery to the plot line it would have been far more enjoyable and, of course, bring back Rachel,(give her whatever she wants). All that being said, some of the action is refreshingly inventive and when Li does fight he always looks good. Brendan Fraser and Jonathan are funny to watch and like I said, you have to see the Yeti’s in action. So it is still a movie I would recommend watching, just don’t expect too much from it.

The ending suggests a 4th rising of this franchise and I have to say, I will probably go watch that too just because I love the idea behind these films; the history lesson; rising mummies; the wars; you just know there will be a lot of fighting and magic involved which is an automatic pass in my book. I can only hope they’ve learned from this mistake and the Mummy 4 will be more powerful than all of them.

Rating: 3 Blazing fire balls/5

By Will
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TRANSFORMERS - ROLL OUT

September 17th 2008 05:12
TRANSFORMERS
Have you ever witnessed something so magnificent that to attempt description, to imprison it within the structured framework of a language would deny the vitality of first-hand experience? I have, and I dare say that the highest echelons of literary adoration would fail to do it justice.

In other words, it’s a good movie. Needless to say I loved transformers and with the 2nd instalment due for release in June next year, its time for everyone to get onboard the band wagon. Now in future blogs I will be posting updates on the progress of Transformers 2 so to get you all as excited as I am, here’s what you’ve missed so far.

They are a race of gigantic beings, of Robots in Disguise; once trapped in the realm of the 2nd dimension, they have shed their animated attributes to return in 3D. Chills ran down my spine as the shiny transformers emblem spiralled through space and the booming voice of Optimus Prime echoed throughout the room. This was the moment fans had been waiting 20 years for. The Transformers were back!

For the uninitiated to the Transformers phenomenon, here it is in a nutshell. They evolved from Japanese, cybernetic action figures into transforming robots from the 70’s until Hasbro took over and officially gave them the name Transformers. Since then there have been comic books, cartoons and a host of other products devoted to them but only one film made back in 1987…until now.

It took two of the best minds in Hollywood to bring Transformers, the movie, to life. In the directors chair sits Michael Bay; renowned for his brilliant action sequences and fondness for explosions as seen in Bad Boys, and Armageddon. If there’s one thing he loves, its destroying things. His producer, Steven Spielberg, is a man so adept at his art form that his Midas Touch can turn any script into a masterpiece. With such a powerhouse behind it, the success of this film was inevitable.

The film’s suspense is almost immediate, thanks to a clever marketing campaign. Circulating movie trailers had shown flickering, painfully indistinct images of a heli-transformer, Blackout, destroying a military base in Qatar. When the movie begins, the first thing we see is the ominous shadow of a Blackhawk helicopter silently gliding through the desert, like in Jaws, another Spielberg film, when ominous music plays as a the gigantic shark closes in on its prey. We know something’s coming. The military base tries to contact the chopper but surprise, surprise, it doesn’t respond. The chopper lands amidst a ring of armed soldiers and receives the command, “Pilot shut off the engine and exit the aircraft or we will kill you.” Big mistake. There’s an eerie silence, only the whirring blades of the chopper can be heard. Then suddenly the pilots face flickers, the blades stop, fold back and BOOM! The action begins.

Despite the drawcard being the giant robots, the main character is actually human. Actor Shia Labeouf, plays Sam Witwicky, a jittering 11th grade geek that has barely attained the ability to communicate with the opposite sex when he finds himself thrust into the frontlines of an intergalactic war. Apparently his great grandfather, whilst exploring the Arctic 100 years ago, accidentally uncovered the frozen leader of a deadly race of machines called Decepticons. Megatron, as he is known, had come to Earth in search of a powerful cube, the Allspark, that could potentially destroy the world by turning every piece of technology into a killing machine. Meanwhile another race, the Autobots, are out to prevent that plan from coming to fruition, saving humanity in the process and possibly even the universe. Their scout, BumbleBee, is secretly hiding on Earth as Sam’s car, unbeknownst to him. Eventually BumbleBee’s true identity is revealed and Sam joins the Autobots in their quest against the Decepticons.

Labeouf, as always, displays some fantastic acting, especially considering most of his co-stars are CGI. He tackles major battle scenes, awkward romantic endeavours and embarrassing family discussions with a frenetic teenage awkwardness that carries the film. The family environment created by Labeouf (Sam), Kevin Dunn (the father), and Julie White (the mother) feels so natural that, as an audience member, empathy comes easily and it’s hard not to laugh when saving the world is put on hold for an innocently intrusive mother to question Sam’s sex life. There are a lot of comic moments, like this, in the film that take you by surprise and give a break from the action.

But don’t worry, there’s plenty of that too; especially the final war between the Decepticons and… pretty much everyone else. The detail and fluidity of the transformations and movement was surprisingly realistic. When Optimus Prime first transforms, the camera pans around him as his grill lifts off; axle separates; chest plates open and the head emerges. Meanwhile an array of little details begin sliding into place, defining his face and limbs. The accompanying musical score is also worthy of mention as it adds a great sense of occasion and grandeur to the moment. I have to mention a particular scene in which Barricade, the evil police car, is running along, jumps through the air and has transformed by the time he hits the ground, accelerator flat to the floor. I have seen a lot of films but none that make something as unnatural as that look perfectly believable. Technology has reached a very exciting stage in its development where it’s nearly impossible to spot the special effects.

For the keen eye there are a host of subtle references scattered throughout the film as to its rich history. For example, Frenzy, that tiny shape-shifting robot from the recent film, is actually reminiscent of an old toy line called ‘Micro-change.’ These toys preceeded the transformer range as everyday items capable of “transforming” into robots to assist their allies. Frenzy may not be able to drive or fly but it does a mean impression of a portable radio and it’s intricate design and human-like mannerisms make it the most interesting and entertaining of the transformers to watch. In one scene the lanky bot actually strolls casually through a crowd of police, whistling innocently as if nothing odd were taking place.

The film also makes reference to the original smart car; the lovable VW, Herbie. Airing in 1968, ‘The Love Bug’ was a film about a car with a mind of its own. It starred Dean Jones as a hopeless race car driver who was followed home one day by a car he’d seen at a car yard. For Sam Witwicky, his old Camaro, BumbleBee, is strikingly similar and pulls all the same moves that Herbie did. At one point in the film it breaks down just as Sam is passing a particularly romantic spot leaving him alone with his gorgeous friend Mikaela. Worse yet, the song “Sexual Healing” just happens to suddenly begin blaring on the radio despite Sam’s best efforts to stop it. He too meets his car at a yard and is told by the salesman “the car picks the driver.” Pay attention to this scene and you may just notice a little VW is parked right beside Sam’s future car. Coincidence? I think not.

Other notable actors in the film are John Voight who plays the uptight defence secretary; a similar role to what he played in ‘Pearl Harbour,’ another of Michael Bay’s films. Hugo Weaving doesn’t have to step too far from his most notable role as Agent Smith (Matrix), to become the devilish Megatron. Despite being clouded by digital synthesisers, his language is very familiar. Finally Peter Cullen reprises his role as the voice of Optimus Prime. In fact, he is the only voice to carry over from the original animated film. Between gigs, Cullen has been best known for his work as the voice of Eeyore in Disney’s ‘Winnie the Pooh’, a far cry from a walking, robotic truck.

At the end of the film, Prime faces off against Megatron in an unofficial rematch to their battle in the 1987 animated film, declaring “At the end of this day, one shall stand, one shall fall.” These were his famous last words before a heroic death in that movie, lending a touch of nostalgia to the script. Can the great Optimus Prime transform his destiny?

I could go on forever about this film, and it may seem like I already have. The film is now available on DVD everywhere so there are no excuses for missing it. Stay tuned for updates on the approaching sequel because in 3D it could be something quite extraordinary.

For optimum enjoyment, start watching early; find the biggest TV you can; turn off the lights and crank up the sound. This is one film you will want to watch over and over and over…

BY WILL

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THE JOKER
HEATH LEDGER as THE JOKER

Caution, may contain Dark Knight spoilers.
Like many fans I have scanned the internet rigorously, trying to find out anything I can about what Batman 3 holds in store but all I have discovered is that either; no one knows anything; or no one is saying anything. Christopher Nolan, the writer/director and only confirmed signing, has disappeared for a while to work on the next script so until then everything else you hear is merely rumour and gossip. Everyone has opinions about who should star in Batman’s 3rd (and possibly final) adventure and it’s interesting to consider the contenders. Both Nolan and Christian Bale (Batman) are reluctant to extend beyond a trilogy so whoever is chosen will need to pull out a hell of a performance to keep the caped crusader in business.
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STAR WARS: THE CLONE WARS
Once again the familiar sizzle of duelling lightsabers has electrified audiences across the globe but even Jar Jar would notice there is a disturbance in the force. The latest instalment of the epic saga has hit the cinemas as the ‘Clone Wars’ and if the name sounds familiar it’s because George Lucas loves prequels. This is the second Clone Wars film, the first being Episode II: Attack of the Clones but, in true Star Wars style, this latest endeavour known episode 2.5, was filmed after Episode 3 but is set before it. (Just like episodes 1, 2 and 3 were made after episodes 4, 5 and 6). Confused? That’s just the beginning.

So why have we returned to the Clone Wars? What tale remains untold? Well Lucas believes that if World War II was worth telling from hundreds of different perspectives then why not the Clone Wars? Characters that didn’t get much of a run in the main prequels now have a second chance to impress us with their heroics or, as is the case in this one, bore us to tears. Where it ends, only Lucas really knows. If he decides to make a third Clone Wars film (which he inevitably will) then ‘Episode 2.5’ could become Episode 2.33’ and the new one ‘Episode 2.66’. Or they could all shift further to become Episodes 2.25, 2.5 and 2.75 if he squeezes another in before Episode 3. Depending on how long this creative streak lasts, the name of the final Clone Wars film could end up looking like something closer to the value of Pie.

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Tropic Thunder
Of all the themes a movie can adopt, it would have to be said that comedy is the most difficult to pull off successfully. If a joke is too obvious then it’s ruined before it arrives, but too subtle and no-one gets it when it does. If a joke goes on for too long then it gets boring but too short and it’s easily missed. More often than not a satire will make these mistakes and fall flat on its face. I cite Spaceballs, Epic Movie, Super Hero Movie and even, at times, the Scary Movies as prime examples. However one recent satire has managed to shake the seemingly inherent trend of satirical failures to deliver quite an impressive viewing experience.

Tropic Thunder, like Galaxy Quest did in 1999, is a film that shows just what happens when typical Hollywood actors are forced to ply their trade in the real world. Ben Stiller plays the action hero Tugg Speedman whose career is plummeting toward its demise and makes matters worse by ruining the most expensive scene in his last chance at a revival, ‘Tropic Thunder’, when he is unable to cry during a shoot. One of his co-stars is the 5-time Oscar winning Australian actor, Kirk Lazarus, played by Robert Downey Jnr, who is so committed to his craft that he actually undergoes a surgical procedure to darken his skin in preparation for his role as an African American Army Sergeant. Also included in the cast is a drug addicted Eddy Murphy type actor, Jeff Portnoy, (Jack Black); the super cool gangsta rapper Alpa Chino (Brandon T. Jackson) and the up and comer Kevin Sandusky, played by Jay Baruchel


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HELLBOY II - A Chink in The Golden Army

September 10th 2008 06:34
Ron Perlman - Hellboy
Ron Perlman - Hellboy



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