Read + Write + Report
Home | Start a blog | About Orble | FAQ | Sites | Writers | Advertise | My Orble | Login

CINEMATRIX - by LuckyWill

 
Cinematrix is movie goer central bringing everything from the Big Screen to your screen.
‘How to Lose Friends and Alienate People’ is a comedic backstage tour of the entertainment industry that picks at the faults of both our shallow celebrity icons and the sycophantic reporters that struggle to keep them in the spotlight. Based on the real life adventures of author Toby Young and his 2001 best selling novel, ‘How to Lose Friends…’ is the story of a struggling entertainment writer in the US trying to work his way up the social ladder and make a name for himself without succumbing to the monotony of mainstream journalism.


The inspiration for the novel came when the British journo, Young, was excommunicated by the American magazine, Vanity Fair, despite not long being rescued from anonymity in London. He subsequently witnessed the steady demise of his once promising career until all employment opportunities had completely evaporated. During this time he witnessed the true face of evil in the entertainment industry and grew to despise it, using this hatred to fuel his creativity.

The title ‘How to Lose Friends and Alienate People’ is in itself satirical, making reference to a popular 1936 self-help novel by Dale Carnegie titled ‘How to Win Friends and Influence People’ as a means of highlighting the misguided ideals of contemporary Hollywood journos. It now has become a fact of life that if you aren’t trying to win friends and influence those around you, then you become an object of aversion and ridicule yourself.


The 2008 film adaptation stars Simon Pegg as the ambitious Sidney Young who is plucked from his over crowded, penniless little magazine in London to become the protégé of Clayton Harding (Jeff Bridges) a powerful American media mogul. Though he is forced to work his way up from the bottom, his outlandish behaviour and rebellious attitude soon sees him draw the attention of all those around him. Unfortunately this never seems to benefit his cause and Young is repeatedly cautioned and threatened with expulsion from the magazine. Of course, Young doesn’t see the problem with disrespecting celebrities; drinking excessively or hiring transsexual strippers for office meetings despite the best efforts of his straight shooting counterpart Alison Olsen (Kirsten Dunst) to talk him out of it.

Then one day he meets the stunning young actress Sophie Maes, played by Megan Fox, who captivates his, (and the audiences) attention when she provocatively wades through a swimming pool in a particularly revealing dress. Agent Scully (Gillian Anderson) has opted for a more mainstream occupation in this film to become PR Agent Johnson and now manages celebrities instead of aliens. Upon their meeting she informs Sidney that if he ever wants to get closer to his dream girl, Maes, he must conform to writing preapproved puff pieces about her clients or risk exile to anonymity forever.

Young must then choose between a life of success or creative control; Sophie Maes or Alison Olsen. Each girl represents the potential reward behind the respective lifestyles on offer. Sophie Maes attends all the big parties and has all the fun, but Alison believes in her work and they support one another’s creative endeavours.

The film is quite funny, insightful and enjoyable to watch. The actors perform their roles as best could be expected but I prefer Pegg in his more outlandish comedies like ‘Shaun of the Dead’ and ‘Hot Fuzz.’ The comedy duo of Simon Pegg and Nick Frost in these films is fascinating and hilarious to watch and I found myself wishing that he would be somehow involved. However, I am yet to see a Simon Pegg film that I haven't enjoyed and this doesn't defy that trend.

‘How to Lose Friends and Alienate People’ is as long as its title suggests but there is always something to keep you entertained along the way and it leaves you feeling satisfied and amused at the end.

Rating: 4 conceited celebrities/ 5

By Will
39
Vote
Shared on
   


Eagle Eye - Looking Sharp

October 8th 2008 13:39
Eagle Eye
Eagle Eye has received a lot of criticism about its poor storyline and implausible visual effects and if you scan the internet, you will no doubt see what I’m talking about. But if you go to see an action film, and the character is faced with the need to escape a large building, would you prefer to see a massive 10 storey crane crash through the building forcing him to jump to a seemingly inevitable death, defying all logic and reason to land heavily on the ground, injured but still able to carry on the chase? Or. Would you rather he throw a chair at the window and look out over the edge, only to reconsider the jump and instead sit back down to wait for his captors peacefully, spending the remainder of the film in a jail cell? When it comes to action films they need to be approached with a very open mind. Massive explosions are entertaining but nearly always hard to justify so if you try and over analyse, you’re only going to ruin it for yourself.

This is a film to be enjoyed if the ‘Open Mind’ policy is employed while viewing. Eagle Eye sees actor Shia LaBeouf and his adopted film-father, Steven Spielberg, reunite for their 3rd film in just two years. Since their meeting in 2007 for the production of Transformers, the two have been jointly involved in Indiana Jones 4, Eagle Eye and, next year, Transformers 2, all starring LaBeouf and presided over by Spielberg. This latest endeavour sees them returning to their native roots; LaBeouf is, once again, occupying the familiar role of the misguided teen, turned world class hero; Spielberg is telling his favourite tale about fugitives running from a corrupt government and the audience is provided with a non-stop action adventure that places completely unbelievable stunts into a satisfyingly acceptable environment. It’s like a combination of Enemy of the State meets Die Hard 4 meets I,Robot. Interestingly LaBeouf scored a supporting role in I,Robot as well, so his current performance should be merely revision.

The story centres around two main characters who are drawn together by a mysterious voice. Jerry Shaw (LaBeouf) is the black sheep of a respected family and lives a life of seclusion and ambiguity, which directly contrasts that of his highly decorated military twin brother. After his brother’s unexpected death, Jerry soon becomes entangled in a fabricated terrorist plot and must follow the voice of a mysterious woman if he is to clear his name and escape the powerful political agendas of a pursuing government agency while uncovering the truth about his sibling’s demise. His partner in crime is Rachel Holloman, played my Michelle Monaghan, a single mum who is also forced to obey the commands of Big Sister or risk losing her only child. Their controller tracks their actions via webcams, security cameras, mobile phones, and basically anything else with an electrical signal, and uses any means necessary to get to them.

It is really mind boggling to think about how they get out of some situations and some of the chases are quite ingenious. The easiest way to tell if you’ll like this movie is to watch another Spielberg production, Minority Report. In that film, there is a scene in which Tom Cruise is led through a shopping centre by a psychic who tells him when to stop, go, pick something up, and drop it again. At the time these seem like pointless tasks, however each simple direction has unseen consequences that allow him to blindly escape incredible circumstances. Steven Spielberg has basically fleshed this scene out to a full 2 hours and it works.

As expected, there is a great car chase in which Jerry and Michelle are trying to escape a fleet of police cars headed by their relentless pursuer, FBI agent Tom Morgan (Billy Bob Thornton). Directed by their pimped up GPS, they navigate blind corners, handbrake turns, and run red lights missing nearby traffic by inches as the female voice guides their escape. You just have to sit back and admire it; however there was one annoying thing that really detracted from the experience of this chase and that was the cheap camera shots used to film it. Instead of pulling back to give a full view of what’s going on in the chase, the director, D.J.Caruso, gives zoomed in shots of blurry mirrors, hubcaps and occasionally a full door. It’s an effect that allows him to stretch the footage of one stunt to look like four or five but ultimately it just ends up annoying the audience because you can’t really see anything.

There are a lot of twists in this film which, at times can be a little predictable, but the chase scenes are just great fun to watch and more than make up for it. In particular, Thornton chases the fugitives into a baggage terminal and they battle with him along the many conveyer belts that zigzag behind the scenes. While this goes on, their puppet master does her best to separate them from the FBI agent by controlling the directions of the conveyer belt and anything else nearby that operates on remote.

As you would expect all the actors do a fantastic job and really carry the film. There are explosions a plenty; twists you won’t see coming; and twists that you will. But as long as you don’t try and find fault with the film, it will try not to make them obvious to you and you should walk away with a smile.

Rating 3.5 mysterious phone calls/ 5

Will
17
Vote
Shared on
   


The Mummy 3
This should have been a great film based on the success of the last two and in parts it really tried but unfortunately for us, the franchise too closely resembles its product because this mummy just didn’t know when to stay dead.

Throughout the film, the action and effects were typically impressive; however, the dialogue was merely adequate; the plot seemed predictable; and some of the performances felt inhibited. I wouldn’t say there was one overriding problem with the film, just a comedy of errors that inexcusably killed it. For those cast members who were brave enough to return for this, the 3rd of the mummy films, it was business as usual and their performances were at least up to the standard set by the first films; Brendan Fraser as the indestructible “Ricochet” Rick O’Connell and his brother in law, the perpetual nervous wreck, Jonathan Carnahan (John Hannah). New to the team is Luke Ford playing Rick’s dashing young offspring, Alex O’Connell; Michelle Yeoh and Isabella Leong played the immortal mother daughter guardian team and, of course, the Dragon Emperor himself, Jet Li. Also brought in to fill the shoes of the departing Rachel Weisz, Rick’s know-it-all wife Evelyn O’Connell, is Maria Bello but I’ll deal with her later


[ Click here to read more ]
31
Vote
Shared on
   


"The Prestige" movie review

July 2nd 2007 04:53


Tricks, sleight-of-hand and illusions – is it science coloured with flashy entertainment or a shady art of deceiving and subterfuge? The Prestiege poses this question and more with a deeply psychological edge examining the motivations as to why one would embark into a discipline of manipulations. Within this dichotmoy, are of course the magicians or performers and then there’s the rest of us. The audience. We either feign understanding or concoct reasoning to propose how the act is realized or we simply watch in bewilderment. Most, however, are left unsure


[ Click here to read more ]
83
Vote
Shared on
   


"Smokin Aces" Movie Review

June 26th 2007 05:01
Featuring two Aussie actors plus a plethora of well-known types in Hollywood, Smokin Aces is your latest big action film from Joe Carnahan, the director behind the gritty "Narc".


[ Click here to read more ]
77
Vote
Shared on
   


Opinions on "What About Brian"?

March 14th 2007 15:47

Like the show, love the show, don't really care or even worse - see the potenial in it, but regrettably understand the short-term formula it inherently has?

[ Click here to read more ]
95
Vote
Shared on
   


"Borat" Film Review

December 6th 2006 22:27


The counter-culture 'mockumentary' of the fictional character Borat and title of the same name (being 'Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan') is intended for a generation X and Y audience yet tickles the funny-bone of a wider spectrum through a series of skits or comedy sketches. These sketches essentially make up a narrative which in turn loosely configures a plot to be based around. Though, there is enough time to inclusively parody religion, race and gender and anything else considered a culturally sensitive area. That is to say they are extremely politically incorrect and moderately offensive. However, politically both sides will have something to laugh at - either for or against Borat. And in which, this is where the comedy strongly succeeds in being funny for various reasons: one being the laughs at the central character and laughs with the central character making it hilarious


[ Click here to read more ]
169
Vote
Shared on
   


X-Men(3): The Last Stand; Movie Review

November 21st 2006 15:15

The third and final X-Men film of the trilogy (following X-Men and X2) lives up to its namesake of being climatic and comprehensively conclusive. For a start, one of the key members is presumedly killed off in roughly the first 30 minutes! Then, two others die while another few lose their mutant abilities entirely, reducing them to boring old homo sapiens (just like the rest of us). But, the new director Brett Ratner does a commendable job taking over from Bryan Singer who elevated the series initially and rounds out a trilogy that has style and substance (unlike Fantastic Four) a worthwhile story (unlike The Avengers), altogether with an intriguing plot with cooler characters than Spiderman. Oh and did I mention it's much more fresh and entertaining than Superman?

[ Click here to read more ]
151
Vote
Shared on
   


"The Departed" Film Review

October 16th 2006 01:27
The Departed film poster

Aggressive and off-putting, The Departed doesn’t pull any punches in terms of story-telling, dialogue and atmosphere. It’s rough, edgy and unsentimental. At its heart however is a prickly charm and a quality film that provokes and distracts with its fast pace and uncompromising style.

[ Click here to read more ]
113
Vote
Shared on
   


"The Doors" Film Review

October 13th 2006 09:42

Oliver Stone's biopic of the 60's and early 70's psychedlic band of the same name - and moreover pop idol Jim Morrison - is one of the best musical artist biography translations to film that's ever been.

[ Click here to read more ]
93
Vote
Shared on
   


"Bloodrayne" DVD Review

October 9th 2006 07:46
Bloodrayne VG logo

Bloodrayne, based on the semi-popular video game of a half human, half vampire (known as a dhampir) similarly correlates with the entire movies quality, that being, half decent and half crap. Or qualitatively the dhampir could resemble the like pronounced Australian bread – the damper – that’s also half baked to provide a soft and floury substance. Amusingly, both are good descriptions of the film.

[ Click here to read more ]
104
Vote
   


"Match Point" DVD Review

September 11th 2006 00:04
*Exhale* After seeing this film you really do need to take a few breaths to rid yourself of the nervous tension that slowly creeps up on you. This is a gripping thriller that relentlessly turns up the heat and leaves you hollowed from an experience of first-hand murder, deceit and infidelity. If you’re looking for an easy-going perv at Scarlett Johansson or an entertaining and irreverent comedy on everyday life from Woody Allen, then you’ve picked up the wrong dvd case.
DVD cover


[ Click here to read more ]
65
Vote
   


"The Constant Gardener" DVD Review

August 31st 2006 22:18

The “Constant Gardener” - while not new - is still a relevant political thriller in a noughties spate alongside “Syriana”, “Lord of War” and “Munich”. While all delving into international relations against private business interests, it’s less bluntly directed and uncompromising than the aforementioned but what it is though, is guarded, truthful and ultimately haunting.

[ Click here to read more ]
71
Vote
   


"You, Me and Dupree" Review

August 30th 2006 00:13
A romantic comedy, comedic romance or vehicle for Owen Wilson fans?
You Me and Dupree
"Cheeee-ese!"

Whilst all are partially true; this comedy film has got the right intention, is moderately entertaining but ultimately forgettable. The film surrounds newly weds Kate Hudson playing the easy-going wife to her hubby Matt Dillon in awkward form, cautiously mitigating whether to play the lead, to play a serious role or to support the other cast. And Owen Wilson of course plays the titles namesake and probably the reasons for the film – Dupree. Michael Douglas also turns in a performance as the discerning father to Hudson and the coldly aloof father-in-law to Dillon. Apart from Wilson he’s the only energetic cast member showing some of his charisma and looking to be enjoying the role


[ Click here to read more ]
93
Vote
   


LuckyWill's Blogs

458 Vote(s)
9 Comment(s)
6 Post(s)
Moderated by LuckyWill
Copyright © 2006 2007 2008 On Topic Media PTY LTD. All Rights Reserved. Design by Vimu.com.
On Topic Media ZPages: Sydney |  Melbourne |  Brisbane |  London |  Birmingham |  Leeds     [ Advertise ] [ Contact Us ] [ Privacy Policy ]