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CINEMATRIX - by LuckyWill

 
Cinematrix is movie goer central bringing everything from the Big Screen to your screen.

TWILIGHT ECLIPSE - Dracula's Leg

July 21st 2010 02:39

Oh my god, never in the long and illustrious blood-sucking history of cinematic vampiredom did I think this moment would come. Not since those pioneering days when the ghastly old Count Dracula first bore his jagged bright red fangs to the eyes of his horrified victims, invoking in them a fear from the far reaches of their soul they never knew existed only to be manifested in the form of an ear-piercing scream.

It would have seemed impossible amongst these ferocious examples of soulless assassins that they could ever lose that killer instinct but the day has finally come when a vampire seems…boring.

With the release of the latest Twilight film, Eclipse, audiences that were once torn between team Jacob and team Edward must fast be realising that one has a decisive edge in this battle. For those unfamiliar with the story so far it’s pretty easy to catch you up. Bella (Kristen Stewart) is a young teen who lives in a small town in the sticks with her father. She soon finds herself caught up in a love triangle between a strikingly handsome, centuries old, pasty white Vampire named Edward Cullen (Robert Pattinson) and her hulking native American Werewolf family friend, Jacob Black (Taylor Lautner). She loves them both but she thinks she loves Edward more and, strangely enough, the two men hate each other. That’s about 5 hours worth of the saga in a nutshell.

In this third instalment, crunch time is approaching as Bella nears graduation and hence, the time she has chosen to turn Vamp. You see the only way she can really be with Edward is to turn into a vampire herself because otherwise she’ll just get old and he’ll either get sick of her and leave or kill her during sex. There is, of course, an alternative and the film serves up ample warning to Bella that she would be best to consider all options before diving in. That other option is Jacob, or “eye candy” to many female viewers, as he spends the majority of the film topless and for good reason. The guy has a stack of muscles that would stretch a circus tent and he does his best to woo the lovely Bella away from the dark side. You have to feel for the guy. He is understandably frustrated by the repeated rejection of his advances toward Bella who flies in the face of all logic and reason, as teenagers do, to be with Edward instead. On one hand she can have a life with her family and friends and a perpetually muscular boy toy. Or she can throw it all away, including her soul, and live in exile with her anaemic, undead husband.


Kids, right? They never listen.

The driving threat of the film is a host of strange killings in Seattle and the whisper of a vampire army rising in the streets. With Bella’s safety in jeopardy, the warring tribes of Cullen’s and Werewolves must set aside their differences and stand together against this new force if they are any hope of surviving it.

The film itself isn’t altogether terrible. It feels very long and some of the background graphics are, quite obviously, fake but the story keeps plodding along. The fights aren’t too bad and the developing story between the Cullens and the Werewolves are interesting to watch. The Jacob character is actually quite funny and as I gauged from the reaction of my fiancé, his topless exploits never grow old. However it is during the moments between Edward and Bella which, unfortunately, there are quite a few of, that the film really seems to slow down. They’re in love; she wants to turn vamp but he doesn’t want her to; they are so different but they are still in love; we get it, we got it in the first film and still got it in the 2nd yet the producers feel the need to reiterate again and again in the 3rd.

I know Ed and Bel are the driving force of the film but they are far from the most interesting part of it. The best parts of the film are actually the interactions between the two warring families and the only times I laugh was when the Jacob character was on screen. If you cut back on Edward and add more of everything, change that, ANYTHING else then the film would have been a lot better. It just seems so long.

So I guess it would appear that, despite not really getting into the saga as much as others, I find myself leaning toward team Jacob. The cool factor definitely goes to the Werewolves. In this saga they are unchanged and, if anything, an improvement on the mythical beasts of legend. They are stronger in both human and wolf form and larger than most films have depicted them. The Vampires, however have taken a turn for the worst. They are still strong and fast, sure, but no longer do they fly, they run. There are no coffins, garlic, or wooden stakes and their reason for hunting in the shadows no longer stems from a fear of death and disintegration when the UV rays touch their skin; it’s because they sparkle and they don’t like it. They are probably embarrassed as well they should be; sparkling vampires. This is Dracula’s legacy.

Rating 2.5 Sparkling Cullens/5
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Shrek Forever Aftermath

June 28th 2010 03:58
The fourth and final instalment of the jolly green giant’s adventures was delivered with its usual dose of hilarity and heart but it certainly felt…different.

The basic gist of the plot is that Shrek (voiced by Mike Meyers) is leading the perfect life. He has a loving wife, Fiona (Cameron Diaz); 3 beautiful kids; a comfortable home and a host of adoring friends headed by Donkey (Eddie Murphy) and Puss in Boots (Antonio Banderas). The problem is that Shrek is an ogre, a creature renowned for its solitude and menacing personality, so “the good life” isn’t really something he’s all that accustomed to. Feeling trapped and emasculated, Shrek turns to a strange magician named Rumplestiltskin for a taste of the life he left behind; to be a real ogre again for just one day; but oh what a day. Unfortunately for Shrek, Rumplestiltskin has a habit of exploiting the fine print on his contracts and when our hero signs, he finds himself thrust into a world where he was never born and time is against him to fix it. Shrek must race to reunite his friends, beat the bad guys and woo his princess all over again before his problems become far more permanent.

As is the tradition with these Shrek films we are introduced to a host of strange new characters, this time it is an army of rebellious ogres. If you thought Shrek was big, wait until you see these guys because they are a tough looking crew that make him look about as threatening as Pinocchio. Almost all the old characters make an appearance in this final chapter even the queen (Julie Andrews) and now deceased king (John Cleese) of Far Far Away in a flashback. The film also warrants the return of Prince Charming and the Fairy Godmother but they are somehow forgotten. As is usually the case with time travel/alternate reality stories there is always an issue with the chronology of events and their causes. I won’t spoil it for those waiting to see the film but if you know your Shrek history just think about what should or shouldn’t have happened to these characters in his absence.

After four films the humour is still going strong and there are plenty of laughs to be had. It doesn’t take Donkey and Puss long to inject their usual idiotic banter and the support crew of Ginger, Pinocchio and the three pigs are typically enjoyable. However it feels like that humour has been toned down just a little to accommodate more nostalgic and tender moments. Rather than making you laugh all the time you will find yourself smiling a bit as well, not because it’s funny but just nice. Given that this is the end of the franchise, you can forgive its makers for wanting to leave audiences feeling warm and fuzzy; like everything has been wrapped up and all stories told but a few more laughs would have certainly been well received.

It was an odd choice for a finale because the majority of it was spent developing characters that basically didn’t exist. I would have liked to see more evolution of the Shrek story dealing with his growing family and King Arthur’s transition from awkward teen to commanding leader rather than jumping into an alternate universe and diverting away from all that. It would have been great as the second or third film idea just to keep things moving and fill pages and will be saved if a 5th film is released but as an ending to the saga I would have to say I was feeling more satisfied after Shrek 3.

That being said it is not a bad film. It felt very short and seemed out of place in the series but it was still funny, fresh and entertaining. There are rumours here and there as to whether this will or won’t be the final time we see Shrek. With its strong box office performances and a bit of luck hopefully the creators will do a back flip and churn out at least one more just to finish things off.

Still well worth a look for an enjoyable outing with friends or family.

3 Baby Green Ogres/ 5
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KICK-ASS Certainly Does

May 2nd 2010 18:00
Kick-Ass
I have been waiting a long time for this one to come out and I must have seen every clip and trailer posted on the net in the lead up to its release. By the time Kick-Ass hit the screens I thought I had a pretty good idea about the story line. That was of course until I actually saw the film and it was nothing like I expected. In a good way of course.

The online video teasers paint the picture of a funny action film about a kid who decides to try his hand at being a superhero and meets some cool friends along the way. Kind of like Mystery Men but with a little more violence and language. Now for the most part it was funny and it was violent and obscene; however, unlike Mystery Men, much of the storyline itself is actually very serious and things get pretty hardcore in a few places and quite suspenseful. The action is awesome, the jokes are surprisingly funny and the actors do an excellent job in bringing their characters to life. It is a great film to watch


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Johnny Depp has taken on so many varying roles over the years and Mr Versatile seems to nail them all but none so much as the bearded oddball, Captain Jack Sparrow from the Pirates of the Caribbean trilogy. It was during the third instalment of this saga, At World’s End, that Captain Jack finds himself in Davy Jones’ locker; a supernatural labyrinth where absolutely anything is possible. Never has Depp looked so at home as his fanciful hallucinations finally offer up an environment where he can truly let loose. But alas this is only for a few minutes of the film.

Well much to the delight of audiences, Depp has returned to that place of madness and chaos and this time he has extended the visit to a feature length fantasy. Swapping treasure hunts for tea parties; his latest outing as the Mad Hatter in Disney’s Alice in Wonderland is delightfully insane and, as usual, another perfect fit for the actor. The film is about a world where the unimaginable is everywhere and reality is somewhere else. Where out of place is right at home and weird is wonderful. As Alice so aptly puts it in the 1951 version “Everything would be nonsense. Nothing would be what it is because everything would be what it isn’t and contrary wise, what it is it wouldn’t be and what it wouldn’t be it would


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AVATAR TOPS THE LOT

January 7th 2010 16:37

James Cameron’s multimillion dollar blockbuster 3D epic adventure, AVATAR, is a visual feast the eyes will be dying to gorge themselves on.

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The Box - Think Outside and Think Fast

November 11th 2009 12:02
The Box
As you may have noticed from the trailer, the Box is about, strangely enough, a box, which is delivered to a young couple in America in 1976. The owner is a strange, disfigured old man named Arlington Stewart (Frank Langella) who delivers the device. It is plain black, with a single red button on top and comes with a creepy proposition. Push the button and 1 million dollars will be yours on the condition that 1 person you don’t know will die. Either way, when you are done the box will be reset and the offer presented to someone else.

What would you choose


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DISTRICT 9


There are many secrets in District 9 and I don’t want to begin by giving any of them away. The film is a semi-documentary style sci-fi thriller that skilfully combines nail biting suspense with short but impressive action sequences and, most importantly a plot that really makes you feel for and take interest in the characters in a way I have not seen since Slumdog Millionaire


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KNOWING: Its Not WHAT You Know...

August 20th 2009 13:25
It's who you know.

Knowing is a mildly suspenseful film much like Armageddon, The Day After Tomorrow, The Core and other such films predicting Earth’s destruction through some impending disaster; however, while the action, at times, is as good as the aforementioned films, the tempo is never quite as swift


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TRANSFORMERS 2: REVENGE IS SWEET

June 26th 2009 15:28
Revenge
The first instalment of this epic Transformers saga was hailed as a fantastic new addition to cinematic history. It had action, humour, emotion and huge destructive, robotic aliens. Its only real criticisms were a few plot holes that emerged through budget and time constraints (i.e. Barricade disappears en-route to the final battle) and that people wanted to see more of the colossal invaders. So Michael Bay took this on board when making the sequel. All the original characters return, minus the signal analysts who make room for a hell of a lot more Autobots and Decepticons. We wanted to see more of the robots in action and Michael Bay delivers with more fights, and more destruction, while still retaining Transformers unique style and humour. Transformers: Revenge of the Fallen is bigger, funnier, more explosive and non-stop action packed. It is a great film.

Some reviewers have criticised this film for lacking a plot but you be the judge. Revenge of the Fallen takes place 2 years after Megatron’s death. Starscream has gladly assumed control of the dark robot army which has now gone into hiding across the Earth as they search for a way to revive their leader. Meanwhile the Autobots and humans have begun covertly hunting down the fleeing Decipticons until a dying villain reveals a message from their past. We gradually learn that a powerful ancient race of Primes (ancestors to Optimus) once travelled the universe destroying the suns of uninhabited and unnecessary solar systems requiring their power to keep them alive. One day, one of these Primes decided to attack the sun of an already occupied solar system and, with this being a great Primal no no, the debauched would-be dictator was stopped by his brothers. The fallen Prime (you see where I’m going with this?) was exiled and awaits his inevitable return to Earth to finish the job


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For anyone still unsure of what to make of this film just think of Shrek, if you’re a fan of that big ugly monster, then your going to love these ones in Dreamwork’s latest family fun run ‘Monsters vs Aliens’.

As is becoming increasingly more common with these animated “kids films” the creators have included (along with the slapstick comedy for the little ones) a lot of clever film references and jokes to keep the adults entertained just as much


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The Unborn – A Rebirth for Horror

February 26th 2009 16:05
Take the Good With the Bad


There was once a time when classic horror and thriller movies didn’t rely on super enhanced digital graphics, big budget explosions or excessively gory violence. Instead they needed only the aid of some basic props, a poorly tuned string quartet (or other haunting orchestral tones) and, of course the wild imaginations of its impressionable audience. Such Directors of this golden age include Hitchcock with “Psycho” in 1968; William Friedkin’s “The Exorcist” in 1973; and, of course, Spielberg’s “Jaws” in 1975. These men possessed a suspenseful awareness that could asphyxiate the viewer with fearful anticipation for hours on end; rarely producing the shocking climax until the exact moment his captive dared to draw breath. Only then would they pounce on the partially relaxed muscles of their victims for maximum effect and airtime. Good times, good times


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So what would happen if, one day, the Earth really did stand still? Well probably nothing if this film is anything to go by.

In a time when Hollywood remakes are all the craze, it seemed inevitable that a digitally revamped contemporary edition of this 1951 classic sci-fi thriller would make its way to our screens. ‘The Day The Earth Stood Still’ is not a bad film; the effects are ok; Keanu Reeve’s performance as Klaatu is solid; and the story is interesting enough but there are just too many errors weighing it down to give it a chance of outshining its predecessor


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‘How to Lose Friends and Alienate People’ is a comedic backstage tour of the entertainment industry that picks at the faults of both our shallow celebrity icons and the sycophantic reporters that struggle to keep them in the spotlight. Based on the real life adventures of author Toby Young and his 2001 best selling novel, ‘How to Lose Friends…’ is the story of a struggling entertainment writer in the US trying to work his way up the social ladder and make a name for himself without succumbing to the monotony of mainstream journalism.

The inspiration for the novel came when the British journo, Young, was excommunicated by the American magazine, Vanity Fair, despite not long being rescued from anonymity in London. He subsequently witnessed the steady demise of his once promising career until all employment opportunities had completely evaporated. During this time he witnessed the true face of evil in the entertainment industry and grew to despise it, using this hatred to fuel his creativity


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Eagle Eye - Looking Sharp

October 8th 2008 13:39
Eagle Eye
Eagle Eye has received a lot of criticism about its poor storyline and implausible visual effects and if you scan the internet, you will no doubt see what I’m talking about. But if you go to see an action film, and the character is faced with the need to escape a large building, would you prefer to see a massive 10 storey crane crash through the building forcing him to jump to a seemingly inevitable death, defying all logic and reason to land heavily on the ground, injured but still able to carry on the chase? Or. Would you rather he throw a chair at the window and look out over the edge, only to reconsider the jump and instead sit back down to wait for his captors peacefully, spending the remainder of the film in a jail cell? When it comes to action films they need to be approached with a very open mind. Massive explosions are entertaining but nearly always hard to justify so if you try and over analyse, you’re only going to ruin it for yourself.

This is a film to be enjoyed if the ‘Open Mind’ policy is employed while viewing. Eagle Eye sees actor Shia LaBeouf and his adopted film-father, Steven Spielberg, reunite for their 3rd film in just two years. Since their meeting in 2007 for the production of Transformers, the two have been jointly involved in Indiana Jones 4, Eagle Eye and, next year, Transformers 2, all starring LaBeouf and presided over by Spielberg. This latest endeavour sees them returning to their native roots; LaBeouf is, once again, occupying the familiar role of the misguided teen, turned world class hero; Spielberg is telling his favourite tale about fugitives running from a corrupt government and the audience is provided with a non-stop action adventure that places completely unbelievable stunts into a satisfyingly acceptable environment. It’s like a combination of Enemy of the State meets Die Hard 4 meets I,Robot. Interestingly LaBeouf scored a supporting role in I,Robot as well, so his current performance should be merely revision


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