Theatre in Dublin,1745-1820: A Calendar of Performances is the first comprehensive, daily compendium of more than 18,000 performances that took place in Dublin's many professional theatres, music halls, pleasure gardens, and circus amphitheatres between Thomas Sheridan's becoming the manager at Smock Alley Theatre in 1745 and the dissolution of the Crow Street Theatre in 1820. The daily performance calendar for each of the seventy-five seasons recorded here records and organizes all surviving documentary evidence pertinent to each evening's entertainments, derived from all known sources, but especially from playbills and newspaper advertisements. Each theatre's daily entry includes all preludes, mainpieces, interludes, and afterpieces with casts and assigned roles, followed by singing and singers, dancing and dancers, and specialty entertainments. Financial data, program changes, rehearsal notices, authorship and premiere information are included in each component's entry, as is the text of contemporary correspondence and editorial contextualization and commentary, followed by other additional commentary, such as the many hundreds of printed puffs, notices, and performance reviews. In the cases of the programs of music halls, pleasure gardens, and circuses, the playbills have generally been transcribed verbatim. The calendar for each season is preceded by an analytical headnote that presents several categories of information including, among other things, an alphabetical listing of all members of each company, whether actors, musicians, specialty artists, or house servants, who are known to have been employed at each venue. Limited biographical commentary is included, particularly about performers of Irish origin, who had significant stage careers but who did not perform in London. Each headnote presents the seasons's offerings of entertainments of each theatrical type (prelude, mainpiece, interlude, afterpiece) analyzed according to genre, including a list of the number of plays in each genre and according to period in which they were first performed. The headnote also notes the number of different plays by Shakespeare staged during each season and gives particular attention to entertainments of "special Irish interest." The various kinds of benefit performance and command performances are also noted. Finally, this Calendar of Performances contains an appendix that furnishes a season-by-season listing of the plays that were new to the London patent theatres, and, later, of the important "minors." This information is provided in order for us to understand the interrelatedness of the London and Dublin repertories.
A classmate recently remarked "That was so long ago I can't remember if I ever had a childhood." Return to those thrilling days of yesteryear - the 1950's - when the big entertainment was at the State Theater, featuring "Ma and Pa Kettle" and "Francis the Talking Mule." This is the true story of life in small town America, one kid's experience of growing up in a large Irish Catholic family of 10 kids with all the required ritualistic Catholic ceremonies. Formal schooling started for this youngster with a 3-year stretch in the joint at St. Aloysius Military Academy, marching to the tune of some of the sweetest old ladies dressed in black. Followed by those exciting days at St. Teresa's, run by two of the toughest Sisters of Charity in the system, Sister Mary Raphael, a.k.a. "Bucky Beaver," the principal, and her sidekick, Sister Augustine, up against Woody and his fun loving instigator pal. It is a fast moving and funny story of numerous mishaps by a carefree fifty's kid. A kid who accidentally freezes his spirited horse, "Shorty," gets canned as an altar boy after one long week, becomes a young entrepreneur selling dirt. There are stories about camping out, Boy Scouts, BB guns, Irish Nannies, Nuns in charge, ringing the holy fire bell at St. Teresa's. Then there is a description of what life was like before McDonald's. There is never a dull moment. It's a childhood autobiography filled with memorable surprises. Learn, as I did, everything you'll ever need to know about f growing up from Woody, the street-smart Italian kid that somehow knew how life really worked. Woody was a true "biker" from the 4th grade on. Enjoy reliving the tranquil 1950's with someone that still remembers being there.